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Clary and Jace fight Valentine, who lies by claiming Jace is also his child. Clary tricks Valentine by giving him a replica Mortal Cup, then pushes him into the portal, destroying it.
Jocelyn is rescued but remains unresponsive at the hospital. Clary uses her new-found powers to repair the apartment.
Jace arrives, confessing he needs her and disbelieving they are siblings and says he will find out the truth. Realizing she belongs in the Shadowhunter world, she returns to the Institute with Jace.
While shopping the film prospect around, author Cassandra Clare had difficulty finding a studio interested in making a film with a female in the lead role.
Studios asked her to switch the lead to a male character, which she refused. Alex Pettyfer was originally offered the role of Jace Wayland , but turned it down.
Zedd "scored for a key scene in the film". Beth Crowley had also written a song inspired by the movie called "Warrior". The official score was composed by Atli Örvarsson , and was released on August 20, for physical purchase and digital download.
A teaser trailer was released in November , and a second trailer was released March The film was originally due for release on August 23, , but was pushed back two days earlier, on August 21, The film premiered on August 12, , at the Cinerama Dome in Hollywood.
The site commented that " The Mortal Instruments: City of Bones borrows ingredients from seemingly every fantasy franchise of the last 30 years—but can't seem to figure out what to do with them.
The Telegraph 's Robbie Collin gave the film one out of five stars, saying, "This gothic teen fantasy is one of the most disastrous page-to-screen adaptations in memory".
Collin added "the plot is an incomprehensible tangle of dead ends and recaps, and afterwards you realise only two things have stuck: the story's countless unsubtle borrowings from very recent pop culture Alas, the titular City of Bones is more of a basement.
Other than a gag about a cache of weapons beneath every church altar, there's hardly a moment of levity or imagination.
For a film that is wall-to-wall fantasy, you've seen all of this before, in much better movies. Far worse is the way director Harald Zwart can't establish a mature tone to support some of the story's genuinely bold and challenging elements, especially a forbidden-love theme that deserves a more serious context".
The film is thankfully less self-serious than the mopey Twilight films. The Mortal Instruments revels in its own camp.
The action flick is overly long, complicated and, even by teen romance standards, cringe-worthy in its cheesiness. David Blaustein from ABC News also gave the film an average review of two-and-a-half out of five stars, saying, "Director Harald Zwart unsuccessfully tries to compress teen angst, love, passion, unfulfilled dreams and action into an overzealous, over-the-top, never-ending finale which seems about as well planned as throwing rocks and sand into a blender in the hope that if you blend it long enough at high-enough speed, you might wind up with a delicious milkshake.
However, it does possess a slick, beautiful, young-adult aesthetic and a supernatural, emotional yet nonsensical love triangle that the film's target demographic goes crazy for.
The special effects are impressive, the battle scenes enthralling and there is solid acting from all members of the cast. The film's main strength is that it perfectly hits the right balance between drama and comedy.
Cinema audiences responded more positively than critics. According to The Wrap , the film "failed to connect" and is on the same course as other misfires Beautiful Creatures and The Host.
Executive producer Martin Moszkowicz blamed the weak opening in the United States on "a strongly competitive environment", including competition from You're Next and The World's End , as well as strong holdovers The Butler and We're the Millers.
Moszkowicz was confident, saying it was still too early to call, with the film still rolling out release in more territories worldwide.
The Hollywood Reporter described the film as a "major in-house flop" and contributing to studio Constantin's losses for the year.
On May 8, , before the film was released, it was announced that a film adaptation of the second book City of Ashes , would start production on September 23, with a release date.
On September 10, , The Hollywood Reporter claimed that the sequel "had been pushed in the wake of a lackluster box-office opening"  and The Wrap claimed the film had been postponed indefinitely.
Constantin is committed to making the sequel, the company did not want to rush into production with an unfinished screenplay, preferring to take the time to get right".
On October 23, , Moszkowicz told The Hollywood Reporter that production on the sequel would resume in , explaining that Constantin was determined to continue the franchise due to the positive response from fans to the adaptation, though noted that the marketing campaign for City of Bones was too narrowly focused on teenage fans, proving to be a detriment of Clare's older readers.
We haven't made a final decision. But we will only move forward—and we plan to move forward—when we feel we are going to get it right".
Moszkowicz later revealed the intention to shoot the film at some time in Scott Mendelson of Forbes magazine expressed surprise that a sequel was in production: " The Mortal Instruments: City of Bones received neither positive reviews nor box office large enough to justify its production and marketing expenses.
Yet, against all odds and arguably against all logic, On October 12, , at Mipcom , Constantin confirmed that The Mortal Instruments would return as a television series, abandoning previous plans for a film sequel, with Ed Decter as showrunner to start production for next year on at least two or three international shows.
There was so much from the book that we had to leave out of the Mortal Instruments film. In the series we'll be able to go deeper and explore this world in greater detail and depth.
To tie in with the film, Sony Pictures worked with developers PlayFirst to release a game on August 15, The game, available free for Android and iOS , allows players to hunt demons and supernatural monsters like the Shadowhunters of the story.
That includes cross-platform features, allowing users to sign in on Facebook and save their progress across Android and iOS devices.
From Wikipedia, the free encyclopedia. Don Carmody Robert Kulzer. Release date. Running time. Canada  Germany . Atli Örvarsson.
Main article: Shadowhunters. Archived from the original on September 19, Retrieved May 7, American Film Institute. Retrieved April 10, British Board of Film Classification.
August 1, Archived from the original on October 17, Retrieved August 1, Archived from the original on May 10, Retrieved August 24, Box Office Mojo.
Archived from the original on February 9, Los Angeles Times. Archived from the original on August 23, The Numbers. Archived from the original on December 16, Emertainment Monthly.
August 2, Archived from the original on August 5, Retrieved August 6, Deadline Hollywood. December 9, Retrieved August 3, Archived from the original on November 27, Retrieved April 4, Retrieved December 1, — via Twitter.
The Wrap. Archived from the original on March 2, MTV News. Retrieved August 10, Archived from the original on May 25, Retrieved September 14, Influx Magazine.
Archived from the original on April 17, On Location Vacations. August 20, Archived from the original on December 9, Retrieved September 17, Archived from the original on August 20, Retrieved July 22, Ultimate Music.
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